Saturday, April 6, 2013

An uknown heroine of the Greek independence war



Domna Visvizi

Domna Visvizi was a pretty much uknown heroine of 1821. She was the wife of the shipowner Antonios Visvizis.
She followed her husband during in all his military operations on the sea.When her husband died she took the role of the commander of their ship which was called Kalomira(good fortune)."During the siege of Euripos a city in Euboea, Antonios Visvizis was killed by Ottoman fire. At that moment Domna got in front and ordered the crew to continue fighting.Specifically she said: Take my husband down to his sons to cry for him, i'll have time to cry for him after we win this war."

During the independence war her ship was active in the North-eastern Aegean. In 1823 before retiring she put her ship under command of the Greek government which converted it into a fireship. With that ship Andreas Pipinos achieved to burn the Ottoman frigate Hazine Gemisi in 1824.

Domna Visvizi never forgot her role as a mother. She tried to send her son in England for studies but eventually he was sent in Paris.Before leaving for France she left a note for him saying:My dear son, when you return back perhaps i'll be dead. Avenge the death of your father.
After the independence of Greece she had many financial problems.Initially she lived in Nauplion in Hydra in Syros where her son lived and she ended up in Piraeus where she died poor in 1850.Demetrios Ypsilantis described her as a noble and polite woman.

Nowadays there is a statue of her in the "highway of heroes" in Athens.

Friday, April 5, 2013

Ancient Greek mythological elements engraved on Chinese princess' stone grave


Big noses, curly hair on empress's coffin suggests deep cultural exchange on Silk RoadChinese archaeologists have found new evidence of international cultural exchange on the ancient Silk Road.
Four European-looking warriors and lion-like beasts are engraved on an empress’s 1,200-year-old stone coffin that was unearthed in Shaanxi Province, in northwestern China.
The warriors on the four reliefs had deep-set eyes, curly hair and over-sized noses — physical characteristics Chinese typically associate with Europeans.
The 27-tonne Tang Dynasty (618-907) sarcophagus contained empress Wu Huifei (699-737), Ge Chengyong, a noted expert on Silk Road studies, said Tuesday.
Ge said one of the warriors was very much like Zeus, the “father of gods and men” in Greek mythology.
The coffin was also engraved with deer, tigers and goats.
“It’s noteworthy that goats signify tragedy in Greek mythology. The word ‘tragedy’ itself means ‘song of the man-goat singer’,” he said.
He said the tragic element coincides with the empress’s unhappy life: several of her children died young and she herself lived constantly in fear.
Ge said the exotic sarcophagus is rare for China, where ancient coffins almost always had Buddhist-themed reliefs and murals depicting harmony, happiness and peace.
The elements of Greek mythology on Empress Wu Huifei’s coffin suggest cross-cultural exchange was common in Chang’an, capital of the Tang Dynasty, located in today’s Xi’an, he said. “There could have even been clergymen from Western countries serving in the Tang imperial court.”
Wu Huifei was Emperor Xuanzong’s favorite concubine and was posthumously known as Empress Zhenshun, meaning “the virtuous and serene empress.”
Her sarcophagus – 4 meters long, 2 meters wide and 2 meters high – was stolen from her tomb in the southern suburbs of Xi’an in 2006.
Police said it was then smuggled out of China and sold to a businessman in the United States for 1 million U.S. dollars.
It returned to China in April and has been housed at the Shaanxi History Museum from June.

Saturday, March 30, 2013

The Asklipios(Asclepius) sanctuary in Epidaurus



Askleipios the healer god of Ancient Greece. Son of Apollo
Ithmonica an ancient Greek girl from Pellana slept in the altar of the God Asklipios to get pregnant.Through insight Asklipios told her that her wish would be done and indeed after some days she got pregnant.

Someone else had stomach ulcer. When he was in the altar he saw a dream where the god ordered to restrain him while he was trying to go away. When he was caught by the god's servants Asklipios cut his his belly and extracted the ulcer. Afterwards he sew his belly which looked like it was never cut.
The temple of Askleipios

Last Thursday the professor Vasileios Labrinoudakis gave lecture in the music hall of Athens stating various examples such as the aforementioned.He didn't argue about the process of sleeping in the god's altar, but also  the eternal agony of human about his health status and the description of the Epidaurus archaeological complex.

A votive offering from the Roman era by someone called Curtius
Asklipeios was probably a human who had some basic or experiential knowledge on medicine.He became a divine person as generations passed and exaggerated his accomplishments.At the first millenium BC in the area of Epidaurus existed a sanctuary of the god Apollo. From the various archaeological findings in the area such as double axes, swords, sacred pots(in the shape of horn for rituals) and many small clay figurines we find out that since that time the sanctuary was not just of local importance. The ashes. the broken mugs the animal bones and other offerings found near the altar indicated that the ritual involved dinner in the altar and sacrifice of animals.

Towards the end of the 7th century BC the sanctuary was transferred to where the archaeological place is today. The ritual would now be more complex as it would take place in two buildings  through two parallel and concurrent processes. The first one was related with a ritual of eating something that would prepare the candidate for the next phase. Perhaps the food would have some hallucinogenic  ingredients.

The second was the sleeping process.This was the prominent curing process that was connected with Asclipeios' worship.For this process in the 4rth cen. BC a stoa(covered walk) with gradual descent was built. This gradual descent was deliberate and not and architectural mistake. This stoa was leading to a room called avaton(noone could go there without divine permission. The candidate was walking there in midst of religious singing by the priestesses of the temple. In this room he would be prepared to sleep and watch a dream involving his cure.

The Avaton
As the prof. Labrounidakis said: The patient would be affected by the hallucinating process of eating and listening the singing. Afterwards before falling asleep he would proceed in a sacrifice of an animal. In his dream the patient would either be cured by the god or he would be given advice or a drug to cure himself.
Although this process continued until the 2nd century BC in Epidaurus, this didn't obstruct the development of scientific medicine. From findings around the archaeological complex it is proven that physicians dwelled around there with their families offering their services to people with health problems.

The Theater

The theater pf Epidaurus. Nowadays it still hosts performances.

The prosperity brought by the Asklepieion enabled Epidaurus to construct civic monuments too: the huge theatre that delighted Pausanias for its symmetry and beauty, which is used once again for dramatic performances, the ceremonial Hestiatoreion (banqueting hall), baths and apalaestra. The theater was designed by Polykleitos the Younger in the 4th century BC. The original 34 rows were extended in Roman times by another 21 rows. As is usual for Greek theatres (and as opposed to Roman ones), the view on a lush landscape behind the skênê is an integral part of the theatre itself and is not to be obscured. It seats up to 15,000 people.
The theatre is marveled for its exceptional acoustics, which permit almost perfect intelligibility of unamplified spoken word from the prosceniumor skênê to all 15,000 spectators, regardless of their seating (see Ref., in Greek). Famously, tour guides have their groups scattered in the stands and show them how they can easily hear the sound of a match struck at center-stage. A 2007 study by Nico F. Declercq and Cindy Dekeyser of the Georgia Institute of Technology indicates that the astonishing acoustic properties are the result of the advanced design: The rows of limestone seats filter out low-frequency sounds, such as the murmur of the crowd, and amplify high-frequency sounds from the stage


sources
M. Thermou.2013.Ασκληπιείο Επιδαύρου: Εκεί όπου γίνονταν "θαύματα".Το Βήμα.March 30.2013 http://en.wikipedia.org


Monday, March 25, 2013

The tragic end of the heroes of the war for the Greek independence.


Boubouli_Anntroutsos(an article from Greekreporter.com)
The Greek War of Independence commenced in 1821 and waged until 1832 when the Greek free state was finally established under the blessings and the needs of the then powerful allies of the Greek revolutionaries, the British, the French and the Russian. The national day celebrated on March 25th pays tribute to all men, women and children who lost their lives for the dream of a sovereign free country, and especially to the heroes of the Greek Revolution that risked their lives for freedom from the Ottoman Empire. But as always, there are black pages in every history book of the world, and Greece’s were not an exception. Although it goes mostly unnoticed, the fact is that many Greek captains of the Revolution were sent to jail during and after the war against the Ottomans. Others were pushed aside by the newly formed state as too dangerous for the common good or too unpredictable for the reigning forces.
Here follow some of the most exemplary and tragic stories of the Greek captains of 1821, who ended up underprivileged, captured, begging on the streets and even dead.
Nikitaras
Nikitaras
Nikitas Stamatelopoulos or Nikitaras or the Turk-eater died in September 25, 1849, totally forgotten and poor.The brave and honorable man who stood out in the battle of Dervenakia and was told to have broken three swords with his fury in the battlefield, was groundlessly accused of conspiracy against King Otto and was sent to prison first in Palamidi (along with his uncle and Revolution captain Theodoros Kolokotronis) and then on the island of Aegina.
When the then Greek Prime Minister Ioannis Kolettis asked him to kill a rival and former captain of the Greek Independence war, Odysseas Androutsos, in exchange for a government position, Nikitaras refused the offer and became angry with Kolettis. He also refused to take booty after the victorious battle of Tripolis, a normal practice of Balkan irregulars at the time.
 4.1.2
Odysseas Androutsos
Nikitaras was released from prison in 1841, but the period in jail broke his health and he was almost blind due to diabetes problems. The Greek state refused to grant him and his family any descent pension to make a living, but instead allowed him to beg before a Virgin Mary church every Friday. In 1843, when King Otto was forced to sign the Constitution, Nikitaras was given the title of major general and an insignificant pension. He died in 1849 in Piraeus.
A major hero of the Greek War of Independence, Odysseas Androutsos earned the title of Commander in Chief of the Greek forces in Roumeli, but his glory did not last long. His intense personality and constant conflicts with the “kalamarades” as he called the politicians and the clergy resulted in making him suspicious of the politics followed at the time. In spring 1822 Ioannis Kolettis accused him of betrayal and cooperation with the Ottomans, so that Androutsos gave up his title as Commander in Chief but never gave up his fighting against them. Seieng through the scheming of politics, Androutsos retired in a cave, the Black Hole, totally disappointed with the newly emerged state of the Greeks after the independence war.
There, in his cave north of Parnassus Mountain, Androutsos’ isolation made Kolettis and his enemies even more suspicious of his intentions and soon he was accused of making agreements with the enemy against the interests of the Greeks. Androutsos, however, is said to have called for the cooperation of the Ottomans in order to take them by surprise and fight them from the inside. The arrest of Kolokotronis made Andoutsos even more hostile towards politicians. Then the government in 1825 assigned to Yiannis Gouras, a close lieutenant of Androutsos, with the mission to take care of Androutsos. Androutsos finally surrendered to the government forces and was led to an Athens prison. Karaiskakis, another major figure of the Greek Independence war, was outraged by his imprisonment and even attempted to rescue his fellow fighter. The attempt failed and to cool things down Gouras asked for the government’s help.
The trial date for Androutsos was pending now, but on June 5 at midnight Gouras gave the order and five men including an unknown priest entered Androutsos’ cage and killed him after hours of torture. The lifeless body of Androutsos was then pushed off the prison tower of Goula down to the Temple of Athena Nike of the Acropolis. Androutsos’ death was declared as a failed escape attempt.
Bouboulina_Friedel_engraving_1827
Lascarina Bouboulina
Laskarina Bouboulina was a Greek naval commander and heroine of the Greek Revolution. Being married twice to prosperous husbands, Bouboulina bought arms and ammunition at her own expense and brought them secretly to the island of Spetses on her ships, to fight for the sake of her nation. Construction of her ship Agamemnon was finished in 1820. She bribed Turkish officials to ignore the ship’s size and it was later one of the largest warships in the hands of Greek rebels. She also organized her own armed troops, composed of men from Spetses. She used most of her fortune to provide food and ammunition for the sailors and soldiers under her command.
The people of Spetses revolted on 3 April, and later joined forces with ships from other Greek islands. Bouboulina sailed with eight ships to Nafplion and began a naval blockade. Later she took part in the naval blockade and capture of Monemvasia and Pylos.
When the opposing factions erupted into the second civil war in 1824, the Greek government arrested Bouboulina for her family connection with now-imprisoned Kolokotronis; the government also killed her son-in-law Panos Kolokotronis. With the order to be arrested, she was exiled back to Spetses poor and disappointed by the new Greek reality. In 1825, while Ibrahim Pasha of Egypt disembarked in Pylos in a final attempt to smother the revolution, Bouboulina began preparing for new battles despite her animosity towards the politicians. However, on May 22 of the same year, Bouboulina would die a tragic death. Her younger son from her first marriage fell in love with the daughter of the powerful Koutsaios family of Spetses and the couple fled to the house of Bouboulina’s first husband. Bouboulina and the Koutsaios soon arrives at the house and after a long and furious dispute, Ioannis Koutsis shot her in the head fatally. The case was closed and no-one ever put the perpetratorson on trial.
Friedel_-_Manto_Mavrogenous
Manto Mavrogenous
Manto Mavrogenous was a Greek heroine of the Greek War of Independence. A rich woman,who spent all her fortune on the Hellenic cause. Under her encouragement, her European friends contributed money and guns to the revolution. When the struggle began, she went to Mykonos, the island of her origin, and invited the leaders there to join the revolution.
She equipped, manned and “privatized” at her own expense, two ships with which she pursued the pirates who attacked Mykonos and other islands of the Cyclades. She also equipped 150 men to campaign in the Peloponnese and sent forces and financial support to Samos, when the island was threatened by the Turks. Later, Mavrogenous sent another corps of fifty men to Peloponnese, who took part in the Siege of Tripolitsa and the fall of the town to the Greek rebels. She spent money on the relief of the soldiers and their families, the preparation of a campaign to Northern Greece and the support of several philhellenes. She also sent a group of fifty men to reinforce Nikitaras in the Battle of Dervenakia.
She moved to Nafplio in 1823, in order to be in the core of the struggle, leaving her family as she was despised even by her mother because of her choices. After her unfortunate love story with Dimitrios Ypsilantis, Mavrogenous lived depressed for a while in Nafplion. After Ypsilanti’s death and her political conflicts with Ioannis Kolettis, she was exiled from Nafplio and returned to Mykonos to live in extreme poverty. When the war ended, Greek Prime Minister Ioannis Kapodistrias awarded her the rank of the Lieutenant General and granted her a dwelling in Nafplio, where she moved. She left for the island of Paros in 1840, where she died in July 1848, in oblivion and poverty.


Monday, December 24, 2012

The Greek Lord of the rings

A representation of the ring of Gyges
Tolkien's ring of power as represented in the movies












Some days ago we had the global premiere of the prequel of the Lord of the rings called The Hobbit.On the occasion of the visualization of Tolkien's magnificent story, i decided to present the greek "Lord of the rings".
Plato in the second book of his work Politeia, wrote a myth about a ring with strange powers. The myth was called The ring of Gyges. Once upon a time there a was a shepherd in Lydia called Gyges. After two natural disasters that occurred in the area he found a ring.One day during the time that he was attending  his sheep a storm and an earthquake co-occurred  resulting the splitting of the earth surface in two.
Gyges' curiosity lead him to descend in to the chasm created by the earthquake and inside it he saw a huge horse made of copper. Gyges looked inside the horse from some holes and he saw a dead giant. The most extraordinary thing was a shining ring on the giant's finger.Gyges took the ring and got back on the surface.There he discovered that the ring had magical powers. Once he rubbed the little stone of the ring he was becoming invisible.
Gyges on the right watches the beautiful queen of Lydia.
The once  humble shepherd had now a mighty weapon in his hands.He could do now anything he wished without being seen.Thus he became possessor of a power that he could use for a good purpose but also for a bad one. Gyges became the lover of the queen and with her help he killed his master the king. Subsequently Gyges declared himself King of Lydia. 
The kingdom of Lydia in what is now Turkey.Historically Gyges was a king of Lydia and during his reign he lead the kingdom to the peak of its power
This myth was used by Plato to explain the human nature which uses any possible mean to seek glory and wealth. Glaucus who is the imaginary narrator in Plato's story concludes that human injustice is in the nature of man because he knows that he won't be punished afterwards for his deeds.Plato concludes that in fact there is no real justice in our world cause justice may be blocking someone's interest.Therefore he ends up with a notorious dilemma about whether someone should do wrong or suffer wrong.Plato adds that everyone of us in that question by conscience would answer to do wrong but to be non-punishable.
Just like Sauron in Tolkien's universe, who initially was a maiar(good spirit) but  later as an evil spirit  craving for power  created the notorious ring of power to rule middle earth, Gyges was corrupted by his ring of power and from a virtuous shepherd he became an evil king.
Sauron was formerly a Maiar but his ambition to dominate over all others turned  him into a  malicious creature
Plato's solution to this problem is that human must receive full education in order to be able to be as just as possible.

Thursday, November 1, 2012

When Ho Chi Minh was fighting in Greece

Ho Chi Minh
The ambassador of Vietnam in Greece stated that this great historical personality served in the French army during the world war 1 and he was part of the French expeditionary force in Macedonia. To find some evidence about this allegation, he visited along with the mayor of a local town in Macedonia an old Greek villager(107 years old) who confirmed that Ho Chi Minh was there(area between Skydra and Edessa) during the WW1, mentioning facts that give little doubt about the clarity of this historical detail in the life of Ho Chi Minh.


soldiers of the Macedonian front during WW1 

source : protothema.gr

Background info

What were the French doing in Macedonia during the WW1? Greece was in the side of the Entente during the WW1 as did France. France and Britain sent reinforcements to prevent the Ottoman empire,Bulgaria and Austria-Hungary from dominating  the Balkan peninsula. The Austro-Hungarians had already occupied Yugoslavia and Greece remained the only Balkan bulwark of the Entente.

The French army in the Macedonian front was called Armee d'orient and was consisted of persons of different nationalities, mainly coming from the French colonies.One of the French colonies was indochina which comprised the countries of Cambodia Laos and Vietnam.Under the orders of the commander of the army were all the allied forces in Macedonia. Therefore Armee d'orient ended up to be called the whole entente army in Balkans.

Ho Chi Minh was a well travelled man. He worked in the USA as a cook and he lived in UK for some time. In France(ironically) his political ideas were shaped. These political ideas would later make him seek the Vietnamese independence from France through armed struggle.

Friday, May 18, 2012

Friedrich Nietzsche and the ancient Greeks

Friedrich Nietzsche

As we know Friedrich Nietzsche was not only a philosopher but also a classical philologist.The fact that he was the youngest to take the chair of classical philology of the university of Basel(24 years old) speaks on its own about Nietzsche's Intellectuality. 
As a classical philologist Nietzsche had a big knowledge about Ancient Greece and this obvious because some of his philosophical works are dealing with the ancient Greeks and their inventions (like theatre for instance) from a philosophical perspective.
An interesting excerpt from Nietzsche's first work with the title "The birth of tragedy" shows how much esteemed were the ancient Greeks for him.

We read at the 15th unit of the book:
In the sense of this last mysterious question we must now state how the influence of Socrates has spread out over later worlds, right up to this moment and, indeed, into all future ages, like a shadow in the evening sun constantly growing larger, how that influence always makes necessary the re-creation of art—I mean art in its most profound and widest metaphysical sense—and through its own immortality guarantees the immortality of art.
Before we could recognize this fact, before we convincingly established the innermost dependence of every art on the Greeks, from Homer right up to Socrates, we had to treat these Greeks as the Athenians treated Socrates. Almost every era and cultural stage has at some point sought in an profoundly ill-tempered frame of mind to free itself of the Greeks, because in comparison with the Greeks, all their own achievements, apparently fully original and admired in all sincerity, suddenly appeared to lose their colour and life and shrivelled to unsuccessful copies, in fact, to caricatures. And so a heartfelt inner anger always keeps breaking out again against that arrogant little nation which dared to designate for all time everything that was not produced in its own country as “barbaric.” Who were those Greeks, people asked themselves, who, although they had achieved only an ephemeral historical glitter, only ridiculously restricted institutions, only an ambiguous competence in morality, who could even be identified with hateful vices, yet who had nevertheless laid a claim to a dignity and a pre-eminent place among peoples, appropriate to a genius among the masses? Unfortunately people were not lucky enough to find the cup of hemlock which could easily do away with such a being, for all the poisons which envy, slander, and inner rage created were insufficient to destroy that self-satisfied magnificence. Hence, confronted by the Greeks, people have been ashamed and afraid, unless an individual values the truth above everything else and dares to propose this truth: the notion that the Greeks, as the charioteers of our culture and every other one, hold the reins, but that almost always the wagon and horses are inferior material and do not match the glory of their drivers, who then consider it amusing to whip such a team into the abyss, over which they themselves jump with the leap of Achilles.

source:The birth of tragedy by Friedrich Nietzsche 

Thursday, May 17, 2012

It's the geopolitics st*pid!


From time to time i post interesting articles that don't have to do with history but with the present time. But the present too can be arguably considered history in the making. Anyway, i found this article in euobserver written by a Polish pm concerning the Greek recession and the importance of Greece for the Eu contrary to the Eu heads statements that a Greek collapse is not going to affect anyone else rather than the Greeks.


 The eurozone decided to grant Greece a second bailout, but this does not mean that the country received a wallet full of money and that the risk of default is gone. Greece and its political elites need sober determination to implement socially difficult reforms also after the April elections.
The Union has once again demonstrated its solidarity with Greece and the fact that it is demanding to supervise the effectiveness of its aid does not surprise. We cannot perceive the presence of EU experts in Athens in terms of loss of sovereignty.
The situation is serious. Without EU support and further tranches of financial help the country's default is certain and the return of the drachma would bring about a much deeper crisis.
The danger lies, however, not just in the financial aspect of the Greek crisis, but also in its potential geopolitical consequences, in particular the possible destabilisation of the South-East flank of the European Union. We must not forget that all this is taking place very close to the hot spots of the Middle East, the Arab countries of North Africa and the still unstable Western Balkans.
Given its geographical location, Greece is a crucial transit country for EU energy supplies coming from the Black and the Caspian Sea basins. It is a key element of the EU's energy security strategy - the Southern Corridor, which is to bring about oil and gas supply diversification, a reduction of EU's dependence on Russia and a decrease in energy prices.
Greece is at the same time a country favoured by Russia, as we have seen many times in the past, most notably recently when Russia cut supply to energy-starved EU, it increased the supply to Greece above the contracted volumes. It cannot be excluded that in the case of helplessness or ineffectiveness of the EU, Russia could offer help which would go much further. The same goes for China which is already the owner of the Piraeus port.
Greece is not only a member of the EU, but also of Nato. Its army and navy consume 4.3% of its GDP and are a crucial component of the military and maritime balance in the Eastern part of the Mediterranean Sea.
The country is also the warden of the longest EU border of the Schengen area, and one which struggles with strong migration pressure from the South. Destabilisation in Greece would mean it not only leaving the Eurozone, but also withdrawing from the Schengen.
A weakening of democracy in Athens, with the possible military involvement to maintain order in the worse of foreseeable scenarios, would be catastrophic for the European Union and its image in the neighbourhood - both the south and the east - as well as in the world.
In particular, it would damage the perception of EU's role as the stability guarantor and a democracy exporter. Hence the long-term consequences of a lack of resolution of the Greek crisis would go beyond the purely financial and economic aspects, and would be grave geopolitically as well.
We need therefore to leave behind the prevailing, predominantly accounting-like approach to the Greek debt. We need a political solution, with the geopolitics kept very much in mind.
The evil - in the form of the indebtedness crisis in Greece and elsewhere - has transpired. The lessons for the future have been learnt and acted upon through the 'six-pack' and the fiscal compact, both of which will now further change the Union's order.
Greece, whether with the euro or the drachma, remains a matter of European responsibility and solidarity. Notwithstanding the trespasses of the Greek and others, we are now confronted with the most serious test of the credibility of the European construction. Withdrawing the support for Greece can spark off further reduction in the scope and depth of the European acquis. Should it fail to bring results, it will have an impact on the future doctrine and the practice of European solidarity and cohesion.
Hence it is important and necessary to prescribe a treatment which is protective and preventive, and not a crude amputation. This is not only about Greece. We have to save Europe from the dangers and the potential consequences it is now facing, on a political level not just on an economic one.
If the situation gets out of control it could easily and profoundly affect European security. This should be part and parcel of the European cost-benefit analysis as well as its strategic reflection. One would dare to say, travestying and turning around former US president Bill Clinton's phrase: it's the geopolitics, stupid!
Jacek Saryusz-Wolski is a Polish member of the European Parliament, a former president of the foreign affairs committee and a vice-chair of the European People's Party

Wednesday, May 9, 2012

9/5/1945 The Soviet victory day

The famous image with the Soviet flag on the German Reichstag.

In May the 9th 1945 in front of Georgy Zhukov the famous Soviet general of the red army, Nazi Germany surrendered with no terms. The WW2 was reaching an end marking the victory of Human over Nazism. The Soviets paid the biggest blood tax than any other country in this war in order to achieve this victory.

In a war front of 3.000 to 6.200 kilometers the Soviets fought against the mighty Axis forces for 1418 days.
During the war for every minute that was passing the Soviets were loosing an average of  9 men, for every hour 507 and for every day 1.400.To understand better the height of the numbers the other main allies USA and Britain lost from 400.000 soldiers each while the Soviets lost nearly 20 million people and 10 million were wounded or disabled.

The war cost for the Soviets was higher than both USA England and France together.This was due to the fact that the German forces unlike USA England and France(which didn't offer much resistance) achieved to penetrate much into the Soviet territories causing much damage to infrastructure. Additionally the Soviets who were engaged in a scorched earth policy they were also destroying their own infrastructure.In total 1.700 cities 70.000 villages and over than 30.000 industries were destroyed in the Soviet union during the war.

Regardless from what happened later(Cold war) and from what Stalin has commited during his reign we need to acknowledge the significant contribution of the Soviets in the war against Nazism, cause neither the Soviets nor USA and England would have been able to win this alone.



Wednesday, May 2, 2012

Post-Byzantine art and iconography.

A 17th century icon that reperesents Jesus Christ  with an emperor's outfit.

Twelve centuries ago at the last of the great ecumenical councils of christendom, the assembled fathers pronounced that holy icons depicting Christ and His angles and saints ,should be set up in the holy churches of god,on sacred vessels on vestments on walls on panels in houses etc. The honour that is paid to the image passes to the one that it represents.Religious painting has been eagerly practised since the time of the Roman emperor Constantine.but there had always been an element especially in the eastern provinces which remained faithful to the Jewish ban on graven images. This division would later cause the Great civil wars in the Byzantine empire known as iconoclasm.In this conflict the defenders of the icons prevailed and the defeated would almost all be converted to Islam after the Arab conquests of the Byzantine East.

After the 9th century there was an increased production of portable icons especially by the poor people.The imperial workshops continued to produce large icons made of gold, silver, mosaic and jade.After the fall of Constantinople in 1453 the portable icons acquired new importance.Most of the big churches were converted into mosques and the christians had to built smaller churches.

From 1204 AD till the  mid 17th century that the Venetians had possessions that formerly belonged to the Byzantines .A new artistic school flourished in Venetian lands and particularly in Crete called Cretan school or post Byzantine art.The success of this school was that it used both eastern and western elements in iconography.The most famous artist of this school was a Cretan called Dominikos Theotokopoulos(EL Greco).Icons exportation became a major business in Crete as there was a considerable demand for icons in the west.

In this post though, i will focus on the icon production in the Ottoman occupied lands.
The Byzantine empire may had fallen in 1453 but the production of Byzantine art  didn't cease.In the Ottoman territories artistic production diminished and if there was any it was constrained in small scale iconography with old eastern and  Byzantine elements.As i foretold at this period portable icons came into prominence.

The icons were not produced any more by artists but by monks who strictly followed the rules of the old  Byzantine painting traditions.However there  were some talented artists who were adding some elements of individualism in their icons they were just exceptions cause the rules never changed and iconography remained the same .

The major places of artistic production was the Holy mountain which represented the traditional iconography and Crete in which the Cretan school flourished. Later after the fall of Crete to the Ottomans the artists either fled to Venice or to the Heptanese in Western Greece which were still under Venetian control.

Below you can see some examples of the post Byzantine art in Ottoman Greece from the period 1453-1821

Saint Mercurius and Catherine(17th cen. )

Saint Nicolas(17th cen.)

Jesus descends to hell(18th century)


Scene from a big wall painting of the Apocalypse

Scene from a big wall painting of the Apocalypse
details from a big wall painting of the Apocalypse

The father the son and the Holy spirit in the form of a pidgeon

Saint  George on the left killing the snake and and Mercurius killing the Byzantine emperor Julian 

John Prodromme

Saint George. The Italian elements are obvious

Saint George on a throne

sources:Μετά το Βυζάντιο(After Byzantium) author: Βασίλης Φωτόπουλος(Vasilis Photopoulos)

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